1. The goal of my whole life is to open “The Enamel Room
Museum” – an enamel
(and other)-mosaic museum which I’m sure will be visited
by crowds of art lovers from a host of countries. The
collection I arranged together, in the meantime, might
already be doing well in the way of exhibitions. Later
on it will be extended and completed with other works.
The place and the funding for such a museum are not
allocated yet but I’m hopeful that one of these days
there will be a visionary to support the one-of-a-kind
project in the history of human culture.
2. As of now, I’m looking forward to any collaboration
regarding exhibition of the new art or rather a fleck of
mankind’s cultural heritage. The exhibitions can be
stand alone events or affiliated with some other
culture-oriented venues or even they can be individual
showcases at state-funded, community groups or
word about the new Russian epoch-making culture-and-art
breakthrough, I believe, must be proudly disseminated
among the world community by way of mass media or by
hosting science conferences, educational workshops or
state-funded venues as well as by setting up branch
offices, schools and studios.
another matter to cooperate on is showcasing enamel-mosaic in
various field-specific museums and private galleries worldwide. The
new artistic technology will go a long way towards enriching church
interiors and the paraphernalia.
being said, considering the new expressive opportunities, we’re on
the lookout for partners wishing to engage in the production of
diverse sets of extravagant collectables and assorted elite gifts,
either incrusted with mosaic or just adorned with its images. I’ll
be glad to show everyone around my collection and am fairly sure
that it will leave nobody unmoved.
you for your attention.
Andrey Lvovich Mandjos
I’ll be glad
to cooperate with you within the scope of the following projects:
historic project of modern culture.
construction of the Museum of Enamel Mosaic and other enamel
to expand into "The Halls of Enamel”
bottom of the page for details).
For the first time in Europe!
For the first time in
your country! For the first time in your city!
mosaic treasures of the ENAMEL ROOM”.
for staff members, public and educational institutions!
mosaic treasures of the ENAMEL ROOM".
One-booth presence in various
exhibition and cultural projects.
Opening of the permanent
exhibit “The Mosaic
treasures of the ENAMEL ROOM”.
Showcasing samples of the
new art in field-specific
Holding auction sales.
Establishing trade agencies:
individual salons and in-store sections.
setting up of instructional/production
units and studios.
establishment of the
School (Academy) of
Publishing of books, sketch-books, placards, calendars,
jigsaw puzzles and various other
Issuance of collectable coins and medals.
Among other things, the projects:
commemorate the 400th anniversary of the House of
Mosaic medals for the Olympic Games in Sochi (2014).
first bullion medal.
first modern private coin.
Joint production of assorted
small-size items incrusted with enamel mosaic.
and items of furniture, devotional articles, footwear,
accessories, car mosaic, etc.
wood, china, leather, metal, etc.
A project to mark the
centenary of the BMW
group in 2013.
Showcase in the BMW museum of the one and only BMW X-5
carrying the most practical car mosaic.
Moscow-Munich car run.
A brand new
art as a gift!
high-class mosaic-overlaid gifts within the partnership with Gift
endowments for Commercial Companies and State-owned enterprises.
Issuance of assorted
keepsakes bearing images
of mosaic pieces.
The “Globe of Memory” project.
marathon of memory and reconciliation over tombs in honor of
victims in all countries during
2 World wars.
For the first time the
memorial work of art
shows in the comparison, what
losses were incurred by each country.
Put the «a memory fragment»
for 1.000 lost compatriots!
The collected means will be directed
for carrying out of
concrete search expeditions,
and results are published.
The Great St. George’s
Cross ‑ modern Russia’s first
(wall) sign of valor.
“For valiant service to Russia”.
To be bestowed upon either individual
citizens of the Russian Federation or groups of such,
shoulder-strapped or not, either for a feat of arms or for
meritorious military service.
The “Gift for the Pope” project.
The giving of a mosaic easter egg of enamel
(“what Faberge was not able to make") to the Pope Benedictus
XVI that was then placed in the Museum of Church Art in the
The setting up of and
participation in scientific research projects:
panel discussions, conferences,
of the 21st century”.
A series of portraits of princesses of the
European Royal Houses.
Participation in various Russian
the NEW PROJECT : « RUSSIA FOREVER! »
and running workshops and talks
about a new kind of art.
Appearance in mass media and TV
reports, educational series
about making documentaries including a series
of enamel-mosaic projects. Issuance of compact discs.
Using slogans and
advertisement and production.
The main project:
(“THE HALLS OF ENAMEL”).
Museum of an enamel mosaic and other
The author of the idea and the project is
A. L. Mandjos (2001) who has set making this project
come true as his lifetime goal.
In the photo is “the ceramic room” which will be easily
matched or even superseded by jeweler’s enamel, let
alone when it comes to mosaic art.
The art studio/workshop of A. L. MANDJOS and the
First School of Enamel Mosaic are gearing up for the monumental
project “The Enamel Room” commensurate with the making of the 18th-century
AMBER ROOM. Presently a lot of effort is being put into designing
the interiors of the enamel room and other enamel panels. A number
of the prospective room’s constituents are already made but
generally there’s a whole way to go.
we’re bound to see mosaic-overlaid paintings, portraits and panels,
household and furniture items, devotional articles, including mosaic
casings for icons and books, diverse church homeware, jewelry,
garments – all embellished with mosaic touch-ups, a car done with
mosaic on the inside, diverse mosaic sculpture and plastic art
pieces, starting with chess sets and on to larger sizes. Among the
other interesting things are combinations of mosaic with other
artistic techniques, when something rather every-day becomes an
eye-watering work of art through a handful of mosaic pieces
scattered around. Thought up to be situated behind the flat
fish-tank wall is a mockup of the sea bottom shaped after the
legendary Atlantis incrusted with all and sundry mosaic patterns.
Its title “The Enamel Room” says little about its future. In a few
years, the museum is planned to expand into an impressive series of
halls, the Halls of Enamel each of which will have its own distinct
color scheme: ruby red, emerald green, (light) blue, yellow to white
etc. or patterned after a certain social context: portraits, nature,
Considering the value of enamel, the time-tested
embellishment to jewelry, awards, trophies and various other items
of precious metal and the uniqueness, importance and attractability
of the project, you can tell that the input material value of “The
Enamel Room” is akin to that of the renowned Faberge eggs and
other treasures of hot enamel. That is why it can be considered the
Promised Land to all these things or, so to speak, their own home.
Friends! Today we’re all given the unique opportunity to touch the
future of our and even world culture, leave an indelible imprint on
the history of mankind, and above all to become part of it. So, in
greeting prospective sponsors and philanthropists, I would like to
say that it would be my pleasure to immortalize them in the
interiors of the Enamel Room as one of its trustees and friends.
now, the question of where the Enamel Room – the gem of the 21-st
century visual, ornamental and jeweler’s art ‑ is going to be
located and how it’s going to be funded remains unanswered...
See you in
the Enamel Room!